The most important thing I could say to you about this show would be something that would get you down there to look at it. (It will be up until December 21, so there is still time!) If I say 'dolls' or 'Expressionism' or 'transgender' or 'Egon Schiele' or even 'horror' -- some of the work is well and truly horrific -- I will not be conveying much. Many of these categories have been flogged pretty hard in recent years. Greer Lankton was well ahead of the current wave.
If you can't get to Participant, you're mostly out of luck -- the significant part of the show (to me) is mainly sculpture, that is, the dolls and figures she made -- but you can get some idea of it looking at the pictures I provide here and on the sites linked to below. These sites also contain analyses and memoirs for those who like that sort of thing. This work particularly reminded me that, just as the poetry in poetry is the part you can't translate, so the art in art is the part you can't analyze or define. The photographs here are basically random snapshots and are by no means a definitive record of the whole show; they are what someone took with a medium camera one afternoon as he walked through the exhibition. They are mostly as taken, not edited, straightened out, hyped.
In honor of the old Downtown aesthetic, I have taken care not to title them or describe their contents, obvious and not so obvious. Some of this work comes from a sort of central collection at the Mattress Factory in Pittsburgh; some was drafted recently from local people.
The show is as well (although this is not explicit) a sort of memorial to that bygone age, the 'Downtown Scene' of the 1980s, which had a lot to do with the level of pre-gentrification rent in what is now the ever-expanding, ever up-and-coming real estate domains of Soho and the East Village. You can get a sense of what life was like then from some of the work, some of the memorabilia. But the past is not only another country, it's another planet. It is true that a few extraterrestrials remain in the area, not quite yet all scourged out, but it's significant the ultimate repository of Ms Lankton's work is an 'alternative space' in Pittsburgh.
This is your chance to see it here and now.
2007 life & work article:
Participant curator Lia Gangitano's account: http://artforum.com/words/id=48864
Particpant press release:
GL archives museum (on Facebook):
Collection of photos:
Review of present show:
video:Interview at Whitney Biennial, 1995:
video: From the Mattress Factory:
video: Ad for 2011 Hollywood show:
GL Times obit http:
Many of the images below include graphic, explicit depictions of sexual body parts, situations, and activities. Some include depictions of surgical operations. And there is some overlap between these two sets. If you find such material disturbing or offensive, don't look at it.