An exhibit of Regina Stewart's artwork was shown at
the Broome Street Gallery in January. It included the
work of the artist over a twenty-five year period and
was consistant in the developement of style.
She developes a graphic technique of recycling images by
embedding them (from printed material?) onto acrylic
surfaces. Her images take on political and
sociological themes that are repeated, overlaid, and
worked into statements of visual invention.
The images are curiously remincent of Muirbridge and
certain 20th century collagistists with their
repetitive thematic approach. In The Search a row
of figures creates a basis of a narrative sequence that
might allude to political protests so common in the
60's and 70's. No definite information is given but a
feeling is created that sets a tone. Figures are
juxtaposed with images of busses and tanks. Is this the
art of confrontation? There is something very intense
about this art. It seems to capture a feeling of the
time.
There are times when the work takes on a more formal
stance, as in her work Floating in which a figure is
isolated from the backgbround and achieves the spatial
illusion of a figure flying through space as if in a
dream or vision. Here she paints over the the embedded
material and takes a more openly creative approach to
the imagery.
Obviously at one time a painter (you can see this in
the developement of of her images)
Stewart has worked an art that is socially relevant as
well as holding to painterly values.
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