What do you know about John Constable? Great
skys -- standout paintings at shows of English Art -- or
maybe for the fortunate a solo show of this remarkable
English painter who was active two hundred years ago.
He was a somewhat mystery to me until I saw this show
and read the materials around the room and the small
but excellent catalogue.
But then Constable was very happy with things small.
One of the more interesting pieces in the exhibit was
nine miniatures all 1 inch by 2 inches set in one
frame. There were gems, and what made them so
startling was the each small painting of the English
countryside, dotted with stately buildings, had its own
distinctive light. I understood Constable's genius at
once. Large or small his painting captured an
authentic space and light, essential to any landscape.
The show at The Salmagundi Club (October 14-November
2)is an intimate look at a magnificent collection of
one of its members, Sir Edward Manton.
Obviously the best painting in the show was "Sandbags
And a Cart On Hempstead Heath (pictured at left). This oil
painting was only 8 x 10 inches but achieves a certain
grandness in scale associated with larger works. He
achieved a deep painterly space. The sky shoots back
pushing the countryside forward which separates into
form with brilliant light and color. And oh, that sky.
Not every piece of work was of first quality, but this
gave one the opportunity to see the artist at work.
Many of the watercolors had faded into dull browns and
grays that still accurately portray scenes but lacked
the allure of color and light that I'm sure Constable
had accomplished. A painting of a river diagonally
that cuts the canvas had too many problems to be
successful, but one still sensed the artist's
intentions. Not every artist can be inspired when one
is a disciplined worker, there has to be room for
exploration and spontaneity.
His methodical approach to his work is very evident in
"Leathes Water (Thirlmere)", a pencil drawing done in
1806. Here you see the skeleton of his technique.
Loose sketchy shapes that define the space and then a
steady rhythmic overlay of values. He was certainly a
master.
What I didn't know was how long it took him to get
there. It is truly inspiring to learn that Constable
practiced long and hard to acquire his technique before
he flowered into the painter we all love. Also I
learned that his worked is confined to one section of
the English Countryside. He did not roam to find new
views but Painted an area he loved
The Salmagundi Club is located at 47 Fifth Ave., New York, NY
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